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The New Deal: HitRECord – Remixing Within Legal Limits

Joseph Gordon-Levitt, best known for his acting gigs, has been working on a side project since early 2010 – HitRECord. He describes HitRECord as an “open collaborative production company” that works with movies, music, art, and writing. By creating a free account on the site, anyone can upload any creative content (a.k.a. “RECord”), making it available for other users to mix, sample, or add on. This project is different from sites like YouTube, which allow users to share and view content. Rather, HitRECord aims to encourage online collaboration – it is less of an exhibition space and more of a studio for artists to work together.

The concept behind this project is to address the exclusivity of Hollywood and mainstream cultural industries by creating a space where anyone can take an active role in the creation and production of content. The success of the project is demonstrated by the content it has already produced. Last year, HitRECord released an anthology of works including music, a DVD of videos, and a book of writing and visual art. HitRECord content has been showcased at SXSW, Sundance, and the Orpheum Theatre in LA. A 3-book deal was also recently signed with an imprint of Harper Collins.

The question is: how can this project, one that is premised on remixing and using other people’s content, work within the confines of copyright and intellectual property laws? To keep the project legal, it created a unique set of rules, “The HitRECord Accord“ – essentially a comprehensive terms of use. On the project’s FAQ page, it acknowledges that in order for the project to work a lot of trust must be placed on the user. For example, one clause in the Accord states that any content a user uploads must be owned entirely by the user, and must not contain anyone else’s work that the user does not have the rights to distribute.

HitRECord is a project that found a way to work within legal limits while making cultural and artistic production more accessible to the public. More importantly, it brings a social aspect to art-making by fostering a sense of community and collaboration between users online. Check out the HitRECord website for more information about how it works, browse through some of the recent collaborations, and get involved!

Art, Revolution, and Ownership: Who Owns the Public Domain?

The Artists’ Legal Outreach (ALO) in association with New Forms Festival 2011 and W2 Community Media Arts is presenting a multidisciplinary series of events aimed at exploring art, cultural expression and consumption, and the idea of the public domain in an attempt to answer the question: what does copyright have to do with artists today? This question is becoming more and more prevalent in our technology-infused world as legal limits are inevitably being confronted by an increasingly blurred line between the creator and the user.

The exhibition runs from September 8-11, 2011 in Vancouver, BC and promises an approach that appropriately conflates art and law. Through the presentation of visual, performance, and musical works, as well as interactive conversations with leading copyright experts, ideas are expected to be challenged.

See curator and lawyer Martha Rans’ curatorial statement here.
Visit the exhibition website for full event listings, and follow the activities on twitter: @art_revolution

Kittens, GIFs, and Internet Memes: A New Artistic and Cultural Collaboration

PBS Arts’ Off Book series dedicates an episode to exploring the current state of visual culture online.

Chris Menning, Viral Trends Researcher, Buzzfeed
MemeFactory, Internet Researchers
Olivia Gulin, Visual Reporter, Know Your Meme
Ryder Ripps, Artist and Co-Creator,
John Kelly, PH.D., Founder and Chief Scientist, Morningside Analytics